This book describes with amazing accuracy a very dark and ugly side of the work world. Having been a victim of serious emotional abuse in the workplace, this book's account of what other's have experienced helped me to see that my situation was not unique at all. What is astounding to me is that we do not have laws that protect employees from this vile form of emotional abuse that does eventually have serious effects on a worker's health and ability to earn a living. "Mobbing" is an important work and should be distributed to every employee at every American company along with their own company handbook. The behaviors described in this book should be a crime punishable by law. Any company that actively engages in these practices or passively allows them to happen ought to be boycotted and deserves to go belly up.

I was fortunate to know author Noa Davenport before she and her colleagues wrote this book, but I didn't learn about it until a few days after my board had "asked" for my resignation as executive director of a nonprofit agency I loved. (Their move was not only a complete surprise, but badly mistaken and completely unjustified from my perspective--still.) I was in deep shock when Noa told me about the book, then nearly ready for publication. She sent me several chapters as e-mail attachments. At first I balked at the term "mobbing" and resisted the book's admonitions to take care of myself and recognize the "evil" that had befallen me and others in our organization. I wanted to take full responsibility for however I had failed to satisfy my employers. Certainly I did not want to claim special status as a victim. But as I read, I found the discussion of the mobbing phenomenon so accurately explaining what I had just experienced, that I was able to pull out of self-blame mode rather quickly. I see now that this book was a life-saver for me! Perhaps literally.

Amazingly insightful Mobbing: Emotional Abuse in the American Workplace is an important and ground-breaking piece of work here in the United States. It seeks to assimilate information from around the world about workplace mobbing and bullying and to apply that information to America's workforce. This book is the only one of it's kind in the United States and is extremely important to both the employers and the employees of this country. This book is a "must read" and should be read by everyone in the American workforce.

I bought this book from Amazon.com's recommendations and I was not sorry at all that I did.

The title story itself is moving and touching as it deals with a mother's experience as she slowly loses her son to AIDS. Dark's manner of narration is rich and vivid. As I was reading, I could not help but be involved in the mother's heart-wrenching struggle in trying to ease whatever pain her son was experiencing.

The other stories were equally beautifully-written as it tugs at the reader's emotions.

If there is one book to read during a retreat or while on vacation, this one is it.

I've never been compelled to write a review, but "In the Gloaming" is quite simply the best story I've ever read. There isn't, to my knowledge, a tale that better conveys compassion and pathos, or has the ability to move the reader through the complete emotional experience.
On the whole, this collection won't take you far beyond its title story, but it's more than most accomplish in a life of writing. Raymond Carver is without a doubt my favorite writer, but Dark has managed to write my favorite story.

It is now old news that John Updike selected the title story from this volume of short stories as one of the best American short stories of the century. Quite an accomplishment for Ms. Dark. "In The Gloaming" is the story of a young man with AIDS who comes home to die and his mother's caring for him in his last illness. Early in the story Laird and his mother Janet are sitting on the terrace at the close of day. "'The gloaming,' he said, suddenly. She nodded dreamily, automatically, then sat up. She turned to him. 'What?' Although she'd heard. 'I remember when I was little you took me over to the picture window and told me that in Scotland this time of day was called the 'gloaming.'. . .'I always thought it hurt you somehow that the day was over, but you said it was a beautiful time because for few moments the purple light made the whole world look like the Scottish highlands on a summer night.'" Thus Ms. Dark sets the mood for this beautifully and delicately understated story. Janet seizes the waning days of her son's life. Each fleeting moment is precious as both of these individuals seek to know more of each other in the little time they have left. Laird's father Martin husband is not so lucky. He is one of Ms. Dark's characters who suffer from opportunities lost, a recurring theme in several of these stories. I must say the only jarring note in this exquisite story is Janet's deciding on a bagpipe for her son's funeral. I understand that this is a Scottish instrument. I just have heard "Amazing Grace" played on the bagpipes one too many times at memorial services for friends and acquaintances who died of AIDS. This is purely my own bias and probably unfair to Ms. Dark.

To me, many of these stories are equally as good as "In The Gloaming." I particularly liked "Home." This is again another story of the waning of life and the way loved ones react to the coming loss. In this instance,Gordon and Lil are being moved into an assisted living home--what a euphemism-- and Lil, who is in the early stages of Alzheimer's, asks and is granted permission to visit her home for one last time. There are no villains here, just decent people trying to make the best of a sad situation, the loss of health and ending of life as these two old people know it and their daughter Charlotte's trying to do what she perceives as the right thing for them. One can hardly fault her for doing what she has to do. Although she tries, she cannot know completely the utter horrow her mother faces at the loss of both her home and her intellect.

These fine stories go straight to the heart.

We thought the book, which we understand is Elliott's first, to be an exciting thriller. The villan, not unlike Hannibal by Harris, or Becker by Sandford, was scary in his hunting for further victims. The hero, Culley was left out to dry by his former employers, the CIA, and brought into the hunt to save their face. He meets a reporter who was a former detective and with a number of other interesting characters in the book, the hunt is on!! A very good read!

I have read this book at least three times. My father gave it to me about two years ago. I remember I couldn't put it down and for days later parts of it kept coming back to me. Not so long ago I started thinking about it again after reading some John Connolly and James Patterson and had to locate the book and read it again, that's the kind of effect this book will have on you. Elliot is up there on a pedestal with Connolly and Patterson and Harris with this book.
It does have some graphic detail and some very gruesome killings but what good is a book without detail??
Mike Culley was a Government agent but is now serving time for lying to congress. His wife killed herself while he was inside and he blames not only himself but holds a serious grudge against those who left him in there. He has a daughter that he has not seen, only because he would not let her come to the prison to visit him there. He gets his chance to be free early when the CIA (his old work buddies) come asking him to track a counterfeiter John Malik, which is the secret identity of a defector that he ran as an Agent in Place in Moscow before getting him out. The CIA convince Culley that he is the only one who can track Malik after he disappears with a wagon load of blank currency paper. They do not however tell him that they also suspect him of being a particularly gruesome and Cold-Blooded killer, one that has been cutting up and mutilating College Co-eds. So reluctantly Culley takes the case, but soon finds out what's really going on when a reporter recognises him. *Enter ex-cop Julie Houser* Together they try to track Malik down but the Plot can only get thicker. As their relationship develops, Malik finds out who is after him and sets about destroying Culley's life by taking the one and only thing that Culley holds dear.
Set at a blistering pace, Elliot doesn't let up for a second and the end result is a book that you will not be able to put down once you begin. Read it and See ;-)

Never have I read a book that keeps you on the edge of your seat from beginning to end. James Elliott has a way of putting the reader right in the middle of the action. So fasten your seatbelt because you are in for a ride of a life time. This is by far the best edge of your seat, heart pounding, fingernail biting book I have ever read

Think you know rap? Think again. From "Price Paul's All-Time Favorite Hip-Hop Skits" to "Too $hort's 10 Tips for Longevity" to "Freddie Foxxx's Tips For Playing Ceelo," there's an endless supply of info in this book. This something you can read and re-read for ages and find something new every time.

Plus there's plenty of pictures of the Biz Markie puppet. How can you go wrong?

Ego Trip unfortunately no longer exists as a magazine, but this book should be remembered as their most significant contribution to hip-hop as a cultural icon. It doesn't attempt to be objective--many of the lists reflect the originator's tastes and biases (see for example "Women Russell Simmons Wishes He Could Have Dated Before He Got Married")--but it does attempt to be thorough. From hip-hop history to fads to speculation on Tupac's death, Ego Trip's Book of Rap Lists covers it all with tongue in cheek. Best of all, it doesn't attempt to glorify or deify--and they have pictures of the Biz Markie puppet.

this book is a wonderful blend of information and irreverant humor. you can find everything about rap under the sun--from the first hip hop record ever recorded to what rappers are related to what songs slick rick wishes he had written. there are also list from lauryn hill, slick rick, big boi (of oukast) and dj premier, just to name a few. if you think you know everything there is to know about rap, you don't. but you will after reading this book!

I enjoyed HOL more than I thought possible. The system is relatively easy to use (it is a little bumpy for my taste), but the entertainment value of the book alone is completely worth it. The companion, "Buttery Wholesomeness" is equally as quirky, and definately adds what is lacking to HOL. Character creation is such fun that my cohorts and I made several, just for giggles. Fun to play, a riot to read, if you are a gamer, I recommend this for a light-hearted spin on the atypical RPG.

Hol is one of the most interesting RPGs I've ever played. Let me give you an example. In my first game of Hol, at one point, we were stuck in a 10 by 10 stone room. We had no way to get out. Or so we thought. My friend summoned about 200 children, which he ordered to repeatedly run into the wall. AND IT WORKED! After playing in games where characters could grow extra limbs, make their voice sound more important than the voice of God, use sarcasm to make a meteor grow a face and cry, eat an obscenely large, unedible object, engage a huge evil enemy in a game of childish insults, buy Tito Puente at your local Caldor, or roll dice to die, it's hard to go back to Mage and Werewolf. Good job, Black Dog/White Wolf!

With all of the complex, rules heavy games on the market, it was a pure joy to be able to teach my two kids, ages 9 and 11, to play HoL! The rules are insanely simple, make for fast, exciting play, and allow you to totally immerse yourself in playing. I recommend this game for any parent wishing to teach their kids to roleplay, and as an educational tool as well! No better fun to be found anywhere! Both books are fantastic, with great writing.. you will be laughing for hours!
HoL, so good the entire family can play!

Kate Elliott has brought to us a future that can happen. Her plots and characters are believable and solidly written. The complexity of the jaran culture that she has brought to life is extraordinary. This series is a MUST for true readers. I am anxiously hoping for a book 5. A good 5 star recommendation!!!!!

I just completed book 4 of the Jaran series, and am thoroughly hooked into this story! I MUST find out what happens next! The whole series is fantastic, with each book offering new and exciting twists in the story. The only drawback to book 4 is that the reader is left hanging - just when the story gets even better! A highly enjoyable read - highly recommended! However, M. Elliott, would you please continue the story?? Please? It would greatly help this Jaran addict... :-)

After the first book (JARAN), I was enthralled. The 2nd (EARTHLY CROWN) and 3rd (CONQUERING SWORD) kept me right there. BUT, this final book surpassed them all. I had no idea where she was headed & loved where I ended up. In my previous reviews I mention that this is more about cultures & psychological effects, but it is still a page-turning series. My only regret is that it ended. There ARE references to characters who are lesbian/homosexual but her world is a COMPLETE view of humanity & all sexual references are done with complete taste!

The author, William Elliot is someone you might know, the boy living next door, who went away to the University, whose parents died when he was young, someone who was raised by loving parents, that is, until they died when he was a teen. He keeps alive the values and love his parents showed him but he is searching for something. He is looking for meaning - meaning to their death and his loss. He was a psychology major at the University of Wisconsin when he conceived of interviewing the "wise and spiritual" people who are alive today. His method was deceptively simple ... he sought answers to 25 - 30 questions that might unlock the secrets to his dilemma. Questions such as, "What is the meaning or purpose of life?" "Do you believe in G-d or Ulitmate Reality?" "Why is there suffering, evil in the world? and What is its cause?" "What is important to you?" "What are the three most important problems in life?" He was dissuaded from pursuing this endeavor, to write a book about his conversation with the "wise and spiritual" people whom he interviewed. He overcame challenges and obstacles to interview the people on his list, all the while holding firmly to his goal. He met and interviewed: His Holiness the Dalai Lama, Ram Dass, Norman Vincent Peale, Robert Schuller, Jean Houston, Dr. Elizabeth Kubler-Ross, Rabbi Harold Kushner, psychologist Albert Ellis, psychologist B.F. Skinner, Pir Vilayat Khan, Frances Vaughn, Stephen Levine and even Mother Theresa. He interviewed a total of 21 high-profile persons deemed 'wise and spiritual' by modern standards. The author does not interpret the answers for us, instead he writes out the answers given to him by each person interviewed. In some cases, he writes an introduction prior to the interview, letting the reader know how he managed to get an appointment or interview with the "important" person or else he describes some interesting event or circumstance concerning the interview. He seldom makes a judgement about the person or what they said ... his writing style is matter-of-fact and straight forward. This style of writing makes the book a valuable and worthwile reading experience. It is as if, you, yourself, decided what questions to ask and took the time to write out the answers, sometimes, in utter amazement, that you snagged the interview with his or her eminence ... The author also made a trek to Nepal to meditate and visit one of the most spiritual climates and areas of the world. We learn of his experiences and interactions with people he met there. This book is recommended for anyone who has any interest in spirituality or has read any book by the persons whom the author interviewed. It can be said the author found the truth which he was seeking ... Erika B. (erikab93)

William Elliot is a brave soul who had the naive courage to approach some of the greatest philosophers and spiritual leaders of our times to gain their perspective on the meaning of life. Remarkably, he gained access to a number of these prophets, who answered his questions in a thoughtful and decidedly heartfelt manner. There is much to provoke thought and inspire action in these pages. As drawn as I was to the book, eager to move from interview to interview, I found I needed to pace myself to better absorb what I was reading. Sometimes I felt my heart sing with the joy of hearing the expression of a kindred spirit. Other times, my desire to be compassionate and respect the beliefs of all felt challenged by the expressions of people with a greatly divergent perspective. Both experiences were of great benefit to me. The wonder of this book, outside the fact that it even came to be, is the engaging narrative Elliott weaves through the interviews. In his unabashedly honest, touching, and humorous, style, Elliott wryly observes that the path to "knowing" can be a twisted and never ending journey of delightful surprises. Travel along with him, you won't be disappointed.

William Elliott's writing style is easily read. The story of years and years of travels focuses on those interviewed and telling their story in such a way as to bring many interviews into a perspective for the reader's appreciation of what Elliott's life has been about -- all a well-woven fabric. His objective stays well-centered. That gave me a real sense in reading this most interesting book about various religous leaders and her/his successful living out their dedication. Elliott has indicated his next one is on experiences of 40 days in the desert in looking at how Jesus did his forty days there two centuries ago. I am excitedly looking for it to show on the market.

Every time there is a horrific story in the news about a mother murdering her children, the classic tragedy "Medea" by Euripides is mentioned. However, a close reading of the actual play shows that the point Euripides is trying to make in this drama is not about infanticide, but rather about the way "foreigners" are treated in Greece (this is best seen in the odes of the Chorus of Corinthian Women). The other key component of the play is the psychology of Medea and the way in which she constructs events to help convince herself to do the unspeakable deed and kill the two sons she has borne Jason. There is a very real sense in which Jason is the true villain of the piece and I do not think there is a comparable example in the extant Greek tragedies remain wherein a major mythological hero is made to look as bad as Euripides does in this play.

Another important thing to remember in reading "Medea" is that the basic elements of the story were already known to the Athenian audience that would be watching the play. Consequently, when the fact that Medea is going to kill her children is not a surprise what becomes important are the motivations the playwright presents in telling this version of the story. The audience remembers the story of the Quest for the Golden Fleece and how Medea betrayed her family and her native land to help Jason. In some versions of the story Medea goes so far as to kill her brother, chop up his body, and throw it into the sea so their father, the King of Colchis, must stop his pursuit of the Argo to retrieve the body of his son. However, as a foreigner Medea is not allowed to a true wife to Jason, and when he has the opportunity to improve his fortune by marrying the princess of Corinth, Medea and everything she had done for him are quickly forgotten.

To add insult to injury, Jason assures Medea that his sons will be well treated at the court while the King of Corinth, worried that the sorceress will seek vengeance, banishes her from the land. After securing sanctuary in Athens (certainly an ironic choice given this is where the play is being performed), Medea constructs a rather complex plan. Having coated a cloak with poison, she has her children deliver it to the princess; not only will the princess die when she puts on the cloak (and her father along with her), the complicity of the children in the crime will give her an excuse to justify killing in order to literally save them from the wrath of the Corinthians.

This raises an interest questions: Could Medea have taken the children with her to her exile in Athens? On the one hand I want to answer that obviously, yes, she can; there is certainly room in her dragon-drawn chariot. But given her status as a foreigner, if Jason goes to Athens and demands the return of his children, would he not then have a claim that Medea could not contest? More importantly, is not Medea's ultimate vengeance on Jason that she will hurt him by taking away everything he holds dear, namely his children and his princess bride?

In the final line of the play the Chorus laments: "Many things beyond expectation do the gods fulfill. That which was expected has not been accomplished; for that which was unexpected has god found the way. Such was the end of this story." This last line has also found its way into the conclusion of other dramas by Euripides ("Alcestis," "Bacchae" and "Andromache"), but I have always found it to fit the ending of "Medea" best, so I suspect that is where it originally came from and ended up being appended to those other plays sometime during the last several thousand years. However, the statement is rather disingenuous because one of the rather standard approaches in a play by Euripides is that his characters often deserve their fate. In a very real sense, Euripides provides justification for Medea's monstrous crime and his implicit argument to the Athenian audience is that the punishment fits the crime. However, Athenians would never give up their air of superiority; at least not until foreigners such as the Macedonians and the Romans conquered the self-professed cradle of democracy.

Medea, as our heroine, is the true definition of a woman scorned. Not only does Medea leave her homeland to follow her one and only love, but she sacrifices her whole life to him. What happens in the book when she finds out Jason wants to take on another wife after Medea has scrificed everything for him...? Well, I'll leave that to you to find out. I'll simply say that Medea is, suprisingly, very imaginiative - at the time of it's writing, it broke all the barriers that surrounded around Greek tradedies. I must also say that Medea is in somewhat of the same arena as "The Odyssey" - it's incredibly descriptive, even with the language used that is so different from our own, Euripides genuinely "takes the reader there." All in all, a wonderful, very readable play. And remember, hell hath no fury like a woman scorned! A great commentary, if a little extreme, but still wonderful, enchanting - you WILL be pulled into the action! 5 stars!

This play is regarded by many as Euripedes' masterpiece and should be required reading of all educated people. It retells the tragic story of Medea, who had helped Jason in his quest, became his wife, gave him two sons, and feels betrayed since he is marrying the daughter of the ruler of Corinth (Jason has come to the conclusion that this is necessary to protect Medea and his sons since she is a barbarian). With horrible vengence, she kills the bride and the king and then kills her two sons. Euripedes depicts how much passion and vengence can overcome not only individuals, but those who strive to be rational. Men (and governments) can't ignore the influence of emotion, and even irrationality, on their decisions and actions, even when those actions may seem rational and just. Man has to remain flexible. The play also shows how emotions, anger, and unbridled fury can cause a person to do stupid and irrational acts. Euripedes is undoubtedly warning Athens with respect to the war that is going on with Sparta.

If you were born during the tail end of the Baby Boom or are part of Gen-X, think of "Retro Hell" as a travel guide to Memory Lane. This book covers almost every aspect of life in the 1970's and '80's, from the most profound to the most trivial. What makes this book a joy is its ability to remind you of the little things you've forgotten -- toys, fads, fashions, one-hit-wonder bands, TV shows, commercials -- and bring back a flood of memories.

Though much of the writing is strongly tongue-in-cheek, it's not all cynical... which is quite refreshing. Not everything about the '70's and '80's was horrible; indeed, in an age of terrorism and war, roller disco doesn't seem so bad.

This book was originally published in 1997. If a newer edition is planned, adding some context would be especially helpful, now that the entire decade of the '90's has passed. For it's the seemingly frivolous things that ultimately shape our lives in unexpected ways.

If you were born between 1965 to 1979, this book is aimed at you. You may end up disagreeing with many of the entries, but not because they're wrong- just because it can be so embarrassing to see your past held up in a modern light.

This is an encyclopaedic recounting of pop-culture memories of many authors, and was originally published in 3 consecutive issues of Darby's magazine "Ben is Dead". One of the unfortunate side-effects of the translation from magazine to book has been the loss of a bit of material. Most/all of the supplementary articles and sidebars have been lost; a lot of pictures have been dropped (possibly from copyright or trademark infringement?); individual entries have been changed, either to remove possibly inflammatory material, or for some judicious editing. Some entries are gone all-together.

But, after 5+ years, my copies of BiD are brown and curling from acidic decay, water damage, constant re-reading. This book is a more durable, more easily transportable, more easily read and shared compendium of what is undoubtedly the best part of the original 3 issues.

For most entries, there are comments from multiple authors- if you don't like what someone wrote about your favorite subject, there's someone else right after them that wrote exactly what you wish you could say. You'll have old dusty memories jarred- both pleasant and unpleasant. You'll cringe in agony when you realize just how stupid we looked drawing a "Z" in the dirt to run faster when wearing Zips shoes. You'll recall that night you saw Pink Lady & Jeff on TV and realized adults didn't know what they were doing, either. You'll also get a lot of info on regional fads (typically southern California) that may not mean much in the rest of the country, but makes for interesting reading.

The best part about the book is the editorial decision to not just concentrate on the happy/good parts of our collective past. A lot of dirt is listed, too, which will make some people uncomfortable, but it makes the book probably the most honest of the pop-culture books that reference the 70s. Instead of sanitizing and making palatable what was, in all honesty, an incredibly vapid and tasteless era, Retro Hell is more of a catharsis for everyone who grew up in that time. The book's not just a fun read, but it'll probably make you a better person, too.

Perfectly suited to its target audience both in subject matter and in presentation, this little encyclopedia is guaranteed to be incomprehensible to anyone who was not a small child during the Ford and Carter administrations. It is an exhaustive laundry list of toys, television shows, and other products marketed to children mostly in the 1970's and early 1980's. Said children grew up, went to college, and spent many a late-night dorm room session processing their mixed amusement and time-gilded fondness for these products. Generation X's strangely premature nostalgia was in the mid-'90's documented and catalogued by the staffers of a 'zine called Ben Is Dead, and subsequently released as a book, published with a silver cover, adorned with a flaming disco ball and digito-futuro typeface, called "Retro Hell".

As with any encyclopedia, this book is not to be read cover to cover. Unlike with an encyclopedia, the entries will not strain the most fragile of attention spans, as they are brief and anecdotal. Some merely invoke the commercial slogan attached to the toy in order to clarify the meaning of the item. Chances are good that if you, a friend or a sibling had a particular game, toy, or favorite TV actor in 1976, it will merit an entry in this book, presumably to your surprise and affectionate delight.

OK, let's face it. We GenX'ers (my DOB: 12/20/69) had discussions about these silly things with our friends as far back as 1986, and it all began with our laughter at the memory of the Brady Bunch, with its plaid polyester and relentless good cheer. (Surprisingly no one has ever called attention in print to the sublime musical score of the Brady Bunch.) By the mid-1990's, most of us were a bit burnt out on that sort of discussion. And yet, the sheer inclusiveness of this book guarantees that the late-night discussions will continue for at least as long as it takes to comb through it, as the diligent editors of BID have dredged up for us memories of long-forgotten things like Wacky Packages, checkered Vans, and Operation!. One can imagine that this catalogue was generated with competitive passion, as the youthful 'zinesters engaged in that most cherished of all verbal sports, "Obscurity One-Upmanship", or "Who can recall the most marginal bit of shameless pop culture detritus from the furthest corners of their memory?

Their effort is worthwhile, despite its novelty. It is as ironic as the generation it was written for, as it is in fact useful trash. It is the narrowest history of minutiae you can possibly find, and therefore the most telling. As might once have been said on a nighttime infomercial somewhere around 1980, "It makes a great gift ! "

Steven Lloyd has written a book that should be required reading by anyone who wants to succeed in business, relationships, selling or, life! If you want to do more, be more and have more; read this book!

In 'Selling From The Heart' Steven Lloyd has created an inspirational, fresh and yet practical approach to selling. These techniques really work, not only in business but in day to day life situations too!

It is so refreshing to read a work from an author that is successful at what he does and has the writing and communication skills and abilities to teach others how to do it too! Steven Lloyd and his remarkable book will take you from theory to practical, from observation to action! This book needs to be required reading for every serious student of sales, marketing, management, and life!